|
|
WEST VIRGINIA ALL-STATE BAND
AUDITION
REQUIREMENTS
2007-2008
NOTE: ALL SCALES MUST BE PERFORMED FROM MEMORY
FLUTE AND PICCOLO
Selected Studies for Flute
p. 18: Gariboldi, Allegro vivo, only play through the first downbeat of the B
Major section (quarter note = 63-72)
p. 38: Soussmann, Andante cantabile (quarter note = 69-76)
Scales:
Flute: Major scales through 4 sharps and 4 flats two octaves; C Major and C chromatic
scales, three octaves.
Piccolo: Major scales through 4 sharps and 4 flats two octaves; C Major scale 1 octave;
Chromatic scale low D to high Bb
Solo: To be selected by student and teacher.
Bb and Eb CLARINETS
Selected Studies for Clarinet (Rubank) ed. Voxman
p. 12: e minor; eighth note = 100
p. 15: Bb Major; eighth note = 120
Scales:
Major scales through 4 sharps and 4 flats; E, F, and G 3 octaves slurred up and down
in 16th notes @ quarter = 100
C, Bb, Eb, Ab, D, and A 2 octaves slurred up and down in 16th notes @ quarter = 100
Chromatic scale, low E to high G (3 octaves + 4 notes) slurred up and down in 16th
notes @ quarter = 120
Solo: To be selected by student and teacher.
OBOE
Gekeler Book 2 for Oboe (Belwin Mills)
p. 6: etude #8 in g minor
p. 6: etude #9 in G Major
Scales:
Major scales through 4 sharps and 4 flats (2 octaves for C, D)
Chromatic scale 2 octaves low D above treble clef
Solo: To be selected by student and teacher.
BASSOON
Bassoon Method for Advanced Players by Julius Weissenborn, Op 8, Vol 2
etude #2 Allegretto in F Major
etude #6 C Major, Allegretto grazioso
Scales:
Major scales through 4 sharps and 4 flats, al 2 oct. except for Ab Major
Chromatic scale, low E to high G
Solo: To be selected by student and teacher.
BASS CLARINET/CONTRABASS CLARINET
Advaanced Method for Clarinet Vol 1, Gower and Voxman pub. Rubank
Etude #15 e minor, Allegretto. Top line measures 1-38
Etude #18 Andante, Bottom part measures 1-16
Scales:
Major scales through 4 sharps and 4 flats C, Eb, Bb, D, A one octave, E, F, G, and Ab 2 octaves
Chromatic scale 2 octaves begining on low g
Solo: To be selected by student and teacher.
ALL SAXOPHONES
48 Famous Studies for Oboe and Saxophone (Ferling)
p. 16: #31 slow
p. 18: #36 fast
Scales:
Major scales through 4 sharps and 4 flats (2 octaves - except G, A, and Ab) in 16th notes
Chromatic scale, Low Bb to high F, 16th note @ quarter = 120 slur up staccato down
Solo: To be selected by student and teacher.
HORN
Preparatory Melodies to Solo Work for French Horn (Belwin)
"Decisio" - Page 9, #25 (quarter = 80)
"Andante" - Page 24, #60 (quarter = 60)
Scales:
Major scales through 4 sharps and 4 flats (2 octaves)
Chromatic scale, G below the staff to G above the staff (2 octaves)
Articulation for ALL scales should be slur up and staccato down.
Solo: To be selected by student and teacher.
BARITONE (TREBLE CLEF)
Selected Studies for Cornet or Trumpet(Rubank, H. Voxman)
Page 2 - C Major, Adagio cantabile by Gallay (quarter = 60)
Page 17 - Bb Major, Vivace by Bohme (eighth = 160+)
Scales:
Major scales through 4 sharps and 4 flats (2 octaves)
Chromatic scale - 2 octaves
Articulation for ALL scales should be slur up and staccato down.
Solo: To be selected by student and teacher.
BARITONE (BASS CLEF)
Selected Studies for Baritone (Rubank, H. Voxman)
Page 2 - Bb Major, Adagio cantabile by Gallay (quarter = 60)
Page 15 - Ab Major, Vivace by Bohme (eighth = 160+)
Scales:
Major scales through 4 sharps and 4 flats (2 octaves)
Chromatic scale - 2 octaves
Articulation for ALL scales should be slur up and staccato down.
Solo: To be selected by student and teacher.
TRUMPET
Twenty-Seven Melodious & Rhythmical Exercises (Small)
p. 12 & 13 #8 Dotted Quarter = 70-80
Selected Studies for Cornet & Trumpet
Pg. 36 E Major Dotted Quarter = 65-70
Scales:
Major scales through 4 sharps and 4 flats (quarter @ the bottom & top - 8ths in between)
Chromatic scale - (Note from Mr. Stoneking - This is not on the requirement sheet but I would prepare 2 octaves)
Solo: To be selected by student and teacher.
TROMBONE
Melodious Etudes for Trombone, Book 1 (Bordogni/Rochut)
p. 15 #13 (eighth = 72)
Selected Studies for Trombone (Rubank) ed Voxman
Pg. 29 Kopprasch (half = 80)
Scales:
Major scales through 4 sharps and 4 flats (2 octaves where possible) quarter = 120
Chromatic scale, starting on either F or Bb - 2 octaves in eighth notes @ quarter = 120
Solo: To be selected by student and teacher.
TUBA
Bel Cantos Studies (Bordogni/Roberts)
Pg. 14 & 15 #12 (quarter = 120)
40 Advanced Studies for Bb Bass (Tyrell)
pg. 16 #16 (quarter = 96)
Scales:
Major scales through 4 sharps and 4 flats (2 octaves where possible) quarter = 120
Chromatic scale, starting on either F or Bb - 2 octaves in eighth notes @ quarter = 120
Solo: To be selected by student and teacher.
PERCUSSION
Mallets: Modern School for Xylophone, Marimba, Vibraphone (Goldenberg)
pg 64, Etude V, Alegro, 2/4
Scales: Major scales through 4 sharps and 4 flats, 3 octaves, ascending/descending
Chromatic scale, 3 octaves, ascending/descending
Snare Drum: Advanced Snare Drum Studies (Mitchell Peters)
Pg 8, Etude #4, quarter note = 70, Rolls played closed
Rudiments: To be chosen from PAS rudiments.
Slow-fast-slow
Timpani: Modern Method for Tympani (Saul Goodman)
Exercises 40 & 49
Students will be asked to demonstrate proper tuning techniques.
Pitch pipe or tuning fork required.
Students will not be allowed to use the mallet instruments to tune timpani.
Students will be asked to demonstrate proper playing techniques on
tambourine, bass drum, and cymbals.

http://libertybands.blogspot.com/
is the Liberty Danceline Blog. The first blog entry was on
November 2nd http://libertybands.blogspot.com/2007/11/testing.html
Try out for
All-State Band. This webpage, http://www.wvschools.com/lhsband/state.html has audition material for all band
instruments. Use these resources as you practice. The Liberty High School Band
in Clarksburg, WV directed by Eric Stoneking, Michael Cale, and Meredith Hill.
One Mountaineer Drive. 3043267482